Congregation

50 Londoners. Their portraits. Their journeys.

In October 2024, Es Devlin unveiled CONGREGATION, a large-scale choral installation she created in partnership with UK for UNHCR, The Courtauld and King’s College London.

FACE to FACE: 50 Encounters with Strangers is a new exhibition at Somerset House which includes a new edition of CONGREGATION.

WHERE: WEST WING, SOMERSET HOUSE
WHEN: 23 NOV 2024 – 12 JAN 2025
Sat – Wed, 10.00 – 18.00 |  Thu & Fri, 12.00 – 21.00

FACE to FACE

50 Encounters with Strangers

Curated by Ekow Eshun, in partnership with The Courtauld, King’s College London and UK for UNHCR, Es Devlin’s FACE to FACE: 50 Encounters with Strangers is set among three rooms and will feature a recreation of the artist’s studio, a new edition of CONGREGATION and painted LED and projection-mapped portraits.

FACE to FACE: 50 Encounters with Strangers is free and open to the public 10am till 6pm, Saturday to Wednesday and 12pm to 9pm, Thursday and Friday, starting the 23rd November 2024 until Sunday 12th January 2025.

The exhibition’s first room contains a replica of the artist’s studio. The second presents a new edition of her projection-mapped Congregation installation. In the Third, Devlin will show a series of new works including painted LED screens and projection mapped portraits. The exhibition is presented within the West Wing of Somerset House, directly accessible from the courtyard. For more information on Somerset House and seasonal opening hours, please visit their website. 

Curated by Ekow Eshun, in partnership with The Courtauld, King’s College London and UK for UNHCR, Es Devlin’s FACE to FACE: 50 Encounters with Strangers is set among three rooms and will feature a recreation of the artist’s studio, a new edition of CONGREGATION and painted LED and projection-mapped portraits.

FACE to FACE: 50 Encounters with Strangers is free and open to the public 10am till 6pm, Saturday to Wednesday and 12pm to 9pm, Thursday and Friday, starting the 23rd November 2024 until Sunday 12th January 2025.

The exhibition’s first room contains a replica of the artist’s studio. The second presents a new edition of her projection-mapped Congregation installation. In the Third, Devlin will show a series of new works including painted LED screens and projection mapped portraits. The exhibition is presented within the West Wing of Somerset House, directly accessible from the courtyard. For more information on Somerset House and seasonal opening hours, please visit their website. 

More about Congregation

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For the first 45 minutes I am drawing a stranger: I am drawing not only a portrait of a stranger, but also a portrait of the assumptions I inevitably overlay: I am drawing my own perspectives and biases.

Curated by Ekow Eshun and developed in collaboration with King’s College London and The Courtauld, the work took place at the jewel-like eighteenth-century church of St Mary le Strand.

 

​CONGREGATION featured large-scale chalk and charcoal portraits of 50 Londoners who have experienced forced displacement from their homelands. Presented as a projection-mapped tiered sculpture, the work offered a luminous encounter with those who bring their gifts to London.

Each evening at 7:00 PM, the installation was accompanied by free choral performances fusing the voices of The Genesis Sixteen, The London Bulgarian Choir and the South African Cultural Gospel Choir in the pedestrianised area outside The Courtauld.

The work has been co-authored by the 50 portrait sitters – reflecting on their lives in London, as well as their journeys from more than 25 countries, including Syria, Sudan, Ukraine and Afghanistan. The accompanying soundscape is composed by Polyphonia, with film sequences created in collaboration with filmmaker Ruth Hogben and choreographer Botis Seva.

Curated by Ekow Eshun and developed in collaboration with King’s College London and The Courtauld, the work took place at the jewel-like eighteenth-century church of St Mary le Strand.

​CONGREGATION featured large-scale chalk and charcoal portraits of 50 Londoners who have experienced forced displacement from their homelands. Presented as a projection-mapped tiered sculpture, the work offered a luminous encounter with those who bring their gifts to London.

Each evening at 7:00 PM, the installation was accompanied by free choral performances fusing the voices of The Genesis Sixteen, The London Bulgarian Choir and the South African Cultural Gospel Choir in the pedestrianised area outside The Courtauld.

The work has been co-authored by the 50 portrait sitters – reflecting on their lives in London, as well as their journeys from more than 25 countries, including Syria, Sudan, Ukraine and Afghanistan. The accompanying soundscape is composed by Polyphonia, with film sequences created in collaboration with filmmaker Ruth Hogben and choreographer Botis Seva.

 

“In the back and forth between artist and co-author, the act of portrait-making became an exercise in mutual giving and mutual openness. Listening and reciprocity. The pictures that result from that process are indicative of a shift in perspective, from looking at a person with an external, objectifying gaze, to looking with them and sharing their point of view.”

Each of us Wayfarers

Es Devlin’s Expansive acts of World-Making. By Ekow Eshun

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